Granida and Daifalo

Referenced in 10 publications

• David A. de Witt, Jan van Noordt: painter of history and portraits in Amsterdam, 'The development of Jan van Noordt's style', pg.18-37, 2005, iv (colour illus.), 19, 24, 53, 104, 150, 151 (colour illus.), 152, 163, 174, 230. cat.no.33; illustration on page iv is a detail

• S.J. Gudlaugsson, The Burlington Magazine, 'Representation of Granida in Dutch Seventeenth-Century Painting', London, 1948, 226, 348.

• Olivier Le Bihan, L'or & l'ombre. Catalogue critique et raisonné des peintures hollandaises du dix-septième et du dix-huitième siècles conservées au Musée des Beaux-Arts de Bordeaux., 1990. 226n7

• Norbert Middlekoop, The golden age of Dutch art: seventeenth century paintings from the Rijksmuseum and Australian collections, Perth, 1997, 110 (illus.). Illustrated in reference to cat.no. 42

• Andor Pigler, Barockthemen: eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, Budapest, 1956, 440.

• Werner Sumowski, Gemälde der Rembrandt-Schüler in vier Bänden, 1983-1994, vol.1: 140, 166 (illus.); vol.5: 3111; vol.6: 3735, 3736. 142n57; nos.2137, 2397, 2402,

• Werner Sumowski, Hoogsteder-Naumann Mercury, 'Paintings by Jan van Noordt', pg.21-37, 1986, 27, 28, 31 (illus.). fig. 10, 37n36

• Peter Tomory and Robert Gaston, European Paintings before 1800 in Australian and New Zealand public collections, Sydney, 1989, 124 (illus.). no. 379

• Editor Unknown (Editor), Gazette des Beaux-Arts, series 6, vol. 83, Paris, 1974, 75 (illus.). no.241, announcing the acquisition of this work by the gallery

• Het gedroomde land: pastorale schilderkunst in de gouden eeuw, 1993-1994. 241n9