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Provenance

From our inception, the Art Gallery of NSW has been committed to researching and publishing information on works in our collection. The Gallery has always conducted research into the provenance (the history of ownership) of the collection, and recently has paid particular attention to investigating all European paintings acquired after 1933 and created before 1945 that were or could have been in Europe at that time.

The Gallery has found no evidence that any of our paintings were looted or improperly acquired and provides on this website all known provenance information of all international paintings in the collection. In conjunction with other international and national museums, the Gallery has included in this section, a list of European paintings that have gaps in or no provenance for the period 1933 to 1945. The Gallery is cooperating with the Central Registry of Information on Looted Cultural Property 1933-1945 in London which has also included this list on its website.

It must be stressed that gaps in or no provenance by no means indicates that a work was looted or stolen.

This research is an ongoing project, and the Gallery welcomes any information on the provenance of works in the collection. If you have information or wish to enquire about any of the works on the Gallery's current list of European paintings, please send an email to provenance@ag.nsw.gov.au or write to the Provenance Research Project, Art Gallery of NSW, Art Gallery Rd, The Domain, Sydney NSW 2000, Australia.

From the entire collection, 42 paintings with incomplete provenance for this period have been identified. These works are:

Jacopo Amigoni
Bacchus and Ariadne
c1740-c1742
Domenico Beccafumi
Madonna and child with infant John the Baptist
c1542
Jacques Blanchard
Mars and the vestal virgin
1638
Georges Braque
Landscape with houses
1908-09
Georges Braque
Le verre d'absinthe
1911
Paul Bril
A wooded landscape with a bridge and sportsmen at the edge of the river
1590s
Luca Cambiaso
Holy family with St John the Baptist
c1578
 Charles Camoin
Vase of flowers
Antonio Canaletto
The piazza San Marco, Venice
1742-46
Jean Cazin
The three stacks (Les trois meules)
Carlo Cignani (attrib)
The five senses
1670s

Gustave Courbet
Landscape with stag
1873

Nicolò dell'Abate
Portrait of a gentleman with a falcon
c1548-50
André Derain
Still life
1921-22
Raoul Dufy
Yellow and red landscape: the beach at Sainte-Adresse
c1908
Prospero Fontana
Deposition
1543 or 1563
Henri Hayden
The guitarist
1919
Circle of William Key
Portrait of a Protestant minister of religion
1563
Ernst Kirchner
Three bathers
1913
Nicolas Largillière
Portrait of an officer
c1714-c1715
Marie Laurencin
The black gloves
1933
Marie Laurencin
Woman with bouquet
1924
Marie Laurencin
Two women with musical instrument
1935
Stanislas Lepine
Washerwomen
1835-92
Philippe Jacques de Loutherbourg
A shipwreck off a rocky coast
1760s
Albert Marquet
The Pont Neuf in the snow
late 1920s
Master of the 1540s
Portrait of a young woman
1541
Anton Mauve
Returning home: end of the day
Adolphe Monticelli (attrib)
Wood scene with riders
Jean-Marc Nattier
Madame de La Porte
1754
Jules Pascin
Mother and child
1754
Frans Pourbus
Portrait of a man
 Giulio Cesare Procaccini
The lowering of the Cross with Sts Mary Magdalene, Augustine, Jerome and angels
c1618
Hubert Robert
An extensive landscape near Paris
1781
Alexander Rodchenko
Composition
1918
Matthias Stomer
Mucius Scaevola in the presence of Lars Porsenna
early 1640s
Giovanni Domenico Tiepolo
The apotheosis of a pope and martyr
c1780-85
Maurice Utrillo
Bridge and church
Andrea Vaccaro
Adoration of the Magi
1650s
Maurice de Vlaminck
Sailing boats at Chatou
1906
Maurice de Vlaminck
The red roofs (Landscape)
c1912
Maurice de Vlaminck
Italian village

These paintings are included in the online collection section of this website.

Persistent URL:
http://www.artgallery.nsw.gov.au/?p=6421
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