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	Image: Jacques-Louis David (1748-1825) Mars being disarmed by Venus and the three graces 1824 (detail), Musées Royaux des Beaux-Arts de Belgique, Brussels

Diploma lecture series 2013

Revolution to romanticism: European art and culture c1750–1850

After the glories of the court and the beauty and sophistication of baroque and rococo art that dominated the art appreciation lecture series last year, this year’s rich and varied course plunges us into the heart of the turbulent period that shaped European history and culture. Witness the great ideals proclaimed, the old order destroyed, society reformed, empires formed and lost, and art transformed, first by the passion for antiquity, then the turbulence of Romanticism, and finally by the impulses of modernity.

If the storming of the Bastille was the enduring symbol of a long and complex process, revolution of course didn’t just happen on one day on the streets of Paris, or as Louis XVI went to the guillotine. The revolutionary process was a complex beast, setting in train many shifts in the political regime, more than a decade of war, and enabling the rise (and fall) of Napoleon’s astonishing Empire. Nor did it emerge from nowhere; indeed it was prefigured in the Atlantic Revolt that spurred the American Independence, with its declarations of human rights and aspiration to freedom from arbitrary impositions.

The course, ranging as it does across painting, sculpture and architecture, promises to be a highly stimulating journey into the heart of a troubled and turbulent epoch, one which was seminal to so many of our modern ideas and concepts. Self, Nation, Landscape, the Sublime – all these key ideas in modern culture were shaped in these momentous decades, which also produced some of the most stunning and beautiful art of the Western tradition.

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Full yearTerm 1Term 2Term 3 • Individual lectures: see below

Image: Jacques-Louis David (1748-1825) Mars being disarmed by Venus and the three graces 1824 (detail), Musées Royaux des Beaux-Arts de Belgique, Brussels

Various Wednesdays 6pm
Various Thursdays 1pm
30 January – 14 November 2013
See listing for dates

Full year: non-member $740, member $530
Per term: non-member $310, member $220
Per lecture: non-member $35, member $25

Term 1: 30 Jan – 25 Apr
Term 2: 5 Jun – 15 Aug
Term 3: 21 Aug – 14 Nov

Bookings and enquiries: 02 9225 1878

Cancellations:
Three full working days (Mon–Fri) notice is required to qualify for a refund. All refunds attract an administration charge of 25% of the ticket price(s) with a minimum charge of $5. With full year or per term tickets, there are no refunds for single sessions, unless a session is cancelled. Not negotiable.

Duration 1 hour
Location: Domain Theatre

Proudly sponsored by
Resimac

The rise of public art: exhibitions and spectacles in the late 18th century

Mark Ledbury

 

Wednesday 30 January 2013 6pm – 7pm
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Thursday 31 January 2013 1pm – 2pm
SOLD OUT

Rattling chairs and hooting owls: Fuseli and the Gothick

Craig Judd

 

Wednesday 6 February 2013 6pm – 7pm
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Thursday 7 February 2013 1pm – 2pm
SOLD OUT

From Pompeii to the Elgin marbles

Christopher Allen

 

Wednesday 13 February 2013 6pm – 7pm
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Thursday 14 February 2013 1pm – 2pm
SOLD OUT

Goya

Michael Hill

 

Wednesday 20 February 2013 6pm – 7pm
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Thursday 21 February 2013 1pm – 2pm
SOLD OUT

Science and spectacle in the work of Joseph Wright of Derby

Georgina Cole

 

Wednesday 27 February 2013 6pm – 7pm
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Thursday 28 February 2013 1pm – 2pm
SOLD OUT

Surface and sensation in Rococo painting

Georgina Cole

Change to schedule. Due to unforeseen circumstances, Mark Ledbury is unable to deliver his lecture The grand ambitions of a genre painter: Jean-Baptiste Greuze’s rise and fall on 6 & 7 March as originally advised. His lecture will be rescheduled. We apologise for any inconvenience.

 

Wednesday 6 March 2013 6pm – 7pm
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Thursday 7 March 2013 1pm – 2pm
SOLD OUT

Women artists of the revolutionary period

Lorraine Kypiotis

 

Wednesday 13 March 2013 6pm – 7pm
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Thursday 14 March 2013 1pm – 2pm
SOLD OUT

Lively touches and surprising effects: the art of Thomas Gainsborough

Georgina Cole

 

Wednesday 20 March 2013 6pm – 7pm
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Thursday 21 March 2013 1pm – 2pm
SOLD OUT

His pencil too warm: Joshua Reynolds and the art of celebrity

Mark de Vitis

 

Wednesday 27 March 2013 6pm – 7pm
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Thursday 28 March 2013 1pm – 2pm
SOLD OUT

Catherine the Great

Jennifer Milam

 

Wednesday 17 April 2013 6pm – 7pm
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Thursday 18 April 2013 1pm – 2pm
SOLD OUT

Icy perfection: Antonio Canova and neo-classical sculpture

Brian Ladd

 

Wednesday 24 April 2013 6pm – 7pm
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Thursday 25 April 2013 1pm – 2pm
SOLD OUT

Winckelmann and the beginning of neo-classicism in Rome

Christopher Allen

 

Wednesday 5 June 2013 6pm – 7pm
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Thursday 6 June 2013 1pm – 2pm
SOLD OUT

David and the revolution

Mark Ledbury

 

Wednesday 12 June 2013 6pm – 7pm
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Thursday 13 June 2013 1pm – 2pm
SOLD OUT

William Blake’s 'divine imagination'

Josephine Touma

Tutorial: Wednesday 19 June, 5pm or Thursday 20 June, 11am.
Members lounge boardroom.
Please note this is optional for students wishing to prepare for the diploma.

 

Wednesday 19 June 2013 6pm – 7pm
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Thursday 20 June 2013 1pm – 2pm
SOLD OUT

Collecting and the birth of the museum

Christopher Marshall

 

Wednesday 26 June 2013 6pm – 7pm
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Thursday 27 June 2013 1pm – 2pm
SOLD OUT

Ruins and romanticism

Georgina Cole

 

Wednesday 3 July 2013 6pm – 7pm
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Thursday 4 July 2013 1pm – 2pm
SOLD OUT

In the court of the sultans: European visions of Constantinople

Andrew Yip

Slide revision: Wednesday evening series 10 July, 5pm.
Domain Theatre.
Please note this is optional for students wishing to prepare for the diploma.

 

Wednesday 10 July 2013 6pm – 7pm
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Thursday 11 July 2013 1pm – 2pm
SOLD OUT

Caspar David Friedrich and the art of the sublime

Jacqueline Strecker

Slide revision: Thursday lunchtime series 18 July, 11am.
Domain Theatre.
Please note this is optional for students wishing to prepare for the diploma.

 

Wednesday 17 July 2013 6pm – 7pm
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Thursday 18 July 2013 1pm – 2pm
SOLD OUT

Dressing an empire: Napoleon’s style politics

Mark de Vitis

 

Wednesday 24 July 2013 6pm – 7pm
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Thursday 25 July 2013 1pm – 2pm
SOLD OUT

The classical tradition reconsidered: John Soane and Henri Labrouste

Peter Kohane

 

Wednesday 31 July 2013 6pm – 7pm
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Thursday 1 August 2013 1pm – 2pm
SOLD OUT

The art of nature: British landscape watercolours

Cathy Leahy

 

Wednesday 7 August 2013 6pm – 7pm
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Thursday 8 August 2013 1pm – 2pm
SOLD OUT

Corot and plein-air painting

Michelle Hiscock

 

Wednesday 14 August 2013 6pm – 7pm
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Thursday 15 August 2013 1pm – 2pm
SOLD OUT

Noble beyond expression: neo-classicism in America

Jane Clark

 

Wednesday 21 August 2013 6pm – 7pm
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Thursday 22 August 2013 1pm – 2pm
SOLD OUT

The life and line of Jean-Auguste-Dominique Ingres

Mark de Vitis

 

Wednesday 28 August 2013 6pm – 7pm
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Thursday 29 August 2013 1pm – 2pm
SOLD OUT

A taste for scandal: the English regency

Craig Judd

Tutorials: Wednesday 4 September, 5pm or Thursday 5 September, 11am.
Members lounge boardroom.
Please note this is optional for students wishing to prepare for the diploma.

 

Wednesday 4 September 2013 6pm – 7pm
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Thursday 5 September 2013 1pm – 2pm
SOLD OUT

The everyday aesthetics of Danish and Biedermeier art in the early 19th century

Jacqueline Strecker

 

Wednesday 11 September 2013 6pm – 7pm
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Thursday 12 September 2013 1pm – 2pm
SOLD OUT

Invoking the wisdom and the ancient authority of Vitruvius: Charles Robert Cockerell’s classical principals of architecture

Peter Kohane

 

Wednesday 18 September 2013 6pm – 7pm
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Thursday 19 September 2013 1pm – 2pm
SOLD OUT

Gericault and Delacroix: romanticism and sensation

Chiara O’Reilly

 

Wednesday 9 October 2013 6pm – 7pm
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Thursday 10 October 2013 1pm – 2pm
SOLD OUT

Constable and Turner: the pastoral and the sublime

Lorraine Kypiotis

 

Wednesday 16 October 2013 6pm – 7pm
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Thursday 17 October 2013 1pm – 2pm
SOLD OUT

Romanticism and the portrait

Christopher Allen

 

Wednesday 23 October 2013 6pm – 7pm
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Thursday 24 October 2013 1pm – 2pm
SOLD OUT

Romanticism and nature

Chiara O’Reilly

 

Wednesday 30 October 2013 6pm – 7pm
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Thursday 31 October 2013 1pm – 2pm
SOLD OUT

The beginnings of modernism in the industrial revolution

Michael Hill

Change to schedule: This was originally advertised as Mechanical or organic life: John Ruskin’s theory of labour with Peter Kohane, which is now on 13 & 14 November

 

Wednesday 6 November 2013 6pm – 7pm
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Thursday 7 November 2013 1pm – 2pm
SOLD OUT

Mechanical or organic life: John Ruskin’s theory of labour

Peter Kohane

Change to schedule: This was originally advertised as The beginnings of modernism in the industrial revolution with Michael Hill, which is now on 6 & 7 November

 

Wednesday 13 November 2013 6pm – 7pm
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Thursday 14 November 2013 1pm – 2pm
SOLD OUT

Diploma slide test and essays due

Wednesday evening series – 20 November 2013, 6pm.
Thursday lunchtime series – 21 November 2013, 11am.
Domain Theatre.
Essays due on same dates.

 

Wednesday 20 November 2013 6pm – 7pm

Thursday 21 November 2013 1pm – 2pm
SOLD OUT