Art Association of Australia & New Zealand (NSW Chapter)
Presented the
Ethics and Aesthetics Conference
19 + 20 September 2003 Art Gallery of New South Wales, Sydney
This conference will explore the ways in which ethical issues bear on art practice, museology and art historical discourse. Sessions will discuss how this might encompass art historical work or art theory that intersects with philosophical ethics, politics, cultural and postcolonial studies, as well as other disciplines.
Papers presented at the conference and published on the website have been subject to a full referee process by qualified independent experts to meet DEST requirements. Papers were published on this site and in the ANZJA Journal in 2004. |
For available papers from this conference please go to Abstracts and Papers below. Several papers have also been reproduced in the ANZJA Journal available from selected bookshops or email: anzja@cofa.unsw.edu.au
Sessions covering: Politics and ethics Postcolonial ethics Bioethics in relation to the body Institutional ethics Curatorial issues roundtable discussion
Keynote speaker: Okwui Enwezor, Artistic Director of Documenta 11
Plenary speakers: Dr Julian Stallabrass, Courtauld Institute of Art, London Dr Charles Merewether, Collections Curator-Getty Research Institute Professor Anthea Callen, Nottingham University Assoc. Professor Jenny Harper, University of Wellington |
Earlybird, student and one day registrations available.
Art Gallery of New South Wales Art Gallery Road The Domain, Sydney NSW 2000 AUSTRALIA
Enquiries - telephone Art Gallery Society: 02 9225 1675 or Donna Brett: 02 9225 1615 Email Donna Brett: donnab@ag.nsw.gov.au
PARKING: Parking in the area is limited. The nearest train stations are Martin Place and St James.
> 2002 Conference website
This project has been assisted by the Federal Government through the Australia Council, its arts funding and advisory body. The Conference is kindly supported by the Art Gallery of New South Wales; The Art Gallery Society of NSW; The Centre for Contemporary Art and Politics at the College of Fine Arts, UNSW; The Power Institute, University of Sydney and The University of Newcastle.
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